Celinka, društvo ustvarjalk sodobnega plesa

Relative Princesses (2006, members of Celinka in cooperation with DBUS):

Choreographer: Uršula Teržan
Dramaturgy: Klavdija Zupan
Music: Mario Marolt
Dance and movement design: Sonja Kerin, Ksenija Kovač, Barbara Križaj, Manca Krnel, Urša Vidmar
Graphic design: Miran Klenovšek

Modern day princesses are in a hurry. They rush in their desires, rush in their thoughts and overtake. They rush in their demands. The world seems to be overtaking them and they are chasing it… Einstein's theory of relativity predicts a finite velocity. If a body moves faster than the finite speed of light, then travels back in time. From this point of view, the constant rush in which modern urban princesses find themselves is just an unconscious attempt to outrun the light and return to the slow time of the crinoline.
Modern, contemporary and old-fashioned become relative terms, where there is an interweaving and replacement of one convention with another possible, probable and even desirable. The difference between then and now is only in the current point of view. The room is full warped and entwined with different timelines.

Kingdom of Proteus (2006, Ljubljana Castle, Poston Cave):

Celinka in collaboration with Cortesia;
Choreographer: Uršula Teržan, Lidija Podlesnik
Dance and movement design: Igor Sviderski, Nataša Živkovič, Juta Žuraj, Uršula Teržan and Lidija Podlesnik with the group Cortesia.
Singing: Juta Žuraj
Music: Mario Marolt, Cortesia
Graphic design: Miran Klenovšek

Insects (2007, members of Celinka in cooperation with DBUS):

Music: Milko Lazar
"Pocket Concerto No. 3" for trumpet and orchestra (2006)
Performed by: Tibor Kerekeš: trumpet; Slovenian Philharmonic Orchestra
Conductor: Loris Voltolini
Choreographer: Uršula Teržan
Dance and movement design: Petar Djorcevski, Gregor Guštin, Ivan Greguš, Igor Sviderski
Playwriting consultancy: Klavdija Zupan
Costume consulting: Irena Tozon Mrhar (One Fiction Factory)
Graphic design: Miran Klenovšek

Insects are the oldest land creatures, before the dinosaurs - the successors of their marine ancestors. They are 500 million years ago crawled out. Cockroaches and dragonflies have survived all the troubles of planet earth and will survive us. They are predators and parasites, conquerors and models (some of the most beautiful creatures in the world) – all in the fight for survival.
Some move on rocket power, use gyroscopic stabilizers in flight, dive with snorkelling, they carry gifts to each other when they mate and chop each other's heads at the same time (the males pull the shorter one in this case). The wasp kills a tired fly and takes it to the granary. Bulemic larvae are overfed. – all in the fight for survival.
They endure the North Pole and the heat of a glowing furnace, they camouflage themselves in the guise of nature, they threaten with colors and with them they seduce. They are famous in cartoons. As if they had human characteristics! – all in the fight for survival.
Or is it?

Celinka (Oct. 2008, members of Celinka in cooperation with DBUS):

Choreographer: Uršula Teržan
Dramaturgy: Klavdija Zupan
Music: Mario Marolt
Dance and movement design: Urša Vidmar, Ana Klašnja, Eva Gašperšič, Gregor Guštin, Petar Djoćevski, Igor Sviderski
Graphic design: Miran Klenovšek

Celinka is a musical (rhythmic) metrical unit and thus the basic cell of the dance expression that forms the organism of the performance. As the most sensitive perception of the dancer's movement/movement - a spatial detector that dictates the dynamics of the four-quarter tact (rhythmic movement) and sensory responsiveness of the body, tactility appears in connection with rhythmic breathing. Physically through the breath thus passes into the metaphysical.
A rhythmic continent - tact and tactility form a synergistic charge and the Gon of the mover bodies.

Necropolis (2010/11) co-production with MGL and the Society under Topoli:

Director: Boris Kobal
Playwright: Klavdija Zupan
Set designer: Jože Logar
Movement design: Uršula Teržan
Proofreader: Barbara Rogelj
Light and sound designer: Boštjan Kos
Starring: Pavle Ravnohrib, Edi Gril, Damjan Kolovrat, Maruša Kos, Mojca Lavrič, Jasna Simončič, Marko Skok, Elvis Štiglic, Denis Tatar, Tjaša Valentinčič and Mateja Zelič.
Soprano: Katarina Kobal
Pianist: Miha Nagode
Graphic design: Miran Klenovšek
Photo: Miha Fras

Let's take a walk / Variations on a walk (Oct. 2013, members of Celinka in cooperation with DBUS and the 5th Plesna Nacional – Spanish Fighters):

Choreographer: Uršula Teržan
Dance and movement design: Tanja Skok, Uršula Teržan
Movement consultancy: Igor Sviderski
Costume designer and mask creation: One Fiction Factory (Metka Megušar Bizjan, Irena Mrhar Tozon)
Music: Mario Marolt
Graphic design: Miran Klenovšek
Photo: Maj Pavček

The two friends meet again and go for a long walk. While walking, thoughts flow, memories return and the historical memory of walks runs through it; artificial and natural; primary and secondary; social and hostile.
They are a medium of friendship, a reflection of modern society and historical memory. They are a picture. They are walking alone.

Fish on dry land (Oct. 2015, members of Celinka in cooperation with 7. Nacional - Spanish fighters):

Choreography: Uršula Teržan
Dance and movement design: Uršula Teržan, Tanja Skok
Costume design and mask creation: One Fiction Factory
(Metka Megušar Bizjan, Irena Tozon Mrhar)
Music: Mario Marolt
Special effects / techniques: Anže Kreč
Graphic design: Miran Klenovšek
Photo: Jure Černec

The two old friends find themselves in a new situation where they need help and answers from elsewhere. They lack air, waters, he wonders why he is still "moving" and struggling in the situation he is creating here and now. They are looking for an answer to where and how to proceed; they are looking for a way to get out of the existing situation and give wind and faith to their wings...