Can movement theater tell psychologically complex stories? The split interior of the main characters of the psychological novel Crime and Punishment, their existential questions and denials are revealed as a dance performance. Psychological contradictions are reflected in existential conflicts, opposition to social norms, walking on the edge of what is permitted, crossing over the edge of social convention and ethical commandments further lengthens the path to the desired mental and social peace.

The soundscape of modern classics and electronica creates a tension that, despite the attempts, is never completely released. The involvement of the slechernik in the social circle and personal ethical principles is placed on new foundations: crime without a reason, a question of conscience and punishment. The body knows what the word does not understand.